Abner Jay

Album: Folk Song Stylist
Format: LP
Label/Info: Mississippi Records MR-068. There must be an Abner Jay album on this blog. Thanks to Mississippi Records for making that possible. More great music from rural Georgia.

V/A - Gospel

Album: In the Storm So Long
Format: LP
Label/Info: Mississippi Records MR-066.
One of many gospel collections that hold up. This time it's selections from the Pitch/Gusman Label of Savannah from 1961-1978. Electrified ring shouts from from rural Georgia and the South Carolina lowcountry. Soul-stirring, toe-tapping, smile-producing.

The Feelies / Joseph Spence

Format: LP
Update on two essential albums mentioned earlier. It's been a good month. First, The Feelies' Crazy Rhythms (Stiff Records, 1980) is reissued by Bar/None on vinyl and the sound is incredible. (Nice work, Andreas Meyer at Tangerine Mastering in Weehawken.) And then, if that weren't enough, devoted philanthropists Eric Isaacson, Warren Hill, and Tim Stollenwerk at Mississippi Records reissue Joseph Spence's otherworldly classic, Good Morning Mr. Walker (Arhoolie, 1972). This album also holds up (or will hold up) as an artifact: thick cardboard jacket with pasted-on cover in Folkways fashion.

V/A

Album: Oh Graveyard, You Can't Hold Me Always
Format: LP
Label/Info: Mississippi Records MR-030/SM-01

Mono. Compilation of rare gospel recordings from the 1960s and early 1970s. Artists include Mosby Family Singers, Straight Street Holiness Group, Laura Rivers, Rev. Lonnie Farris, Radio Four, Joe Townsend, White Family, Silver Quintette, James Carter & The Mighty Stars, Farris & Williams, Brother Willie Eason, Traveling Echoes, and Sensational Happy Travelers.

Washington Phillips

Album: What Are They Doing in Heaven Today?
Format: LP
Label/Info: Mississippi Records MR-006

Album: The Key To The Kingdom
Format: CD
Label/Info: Yazoo 2073

Phillips was a pioneering gospel performer in the 1920s. Born in Texas in 1880, his entire musical catalogue consists of 18 or so unique performances. Recorded between 1927 and 1929, these tracks feature Phillips self-accompanied by an instrument that sounds like a fretless zither. This instrument, which has been variously identified as a Dolceola, a Celestophone, and a Phonoharp (and also is considered by some to be an instrument entirely home-made by Phillips) creates a unique sound that is immediately charming and intriguing. For Phillips' complete recordings consult the Yazoo CD.